Increments

Time is limited, and since I am usually moving several projects forward at any given moment, I tend to use what Oliver Burkeman refers to, in his excellent book “Four Thousand Weeks,” as radical incrementalism. For me, this means writing in small increments of time, usually an hour or two. Sometimes it’s just a few minutes spent capturing ideas in IOS Notes during a liminal part of the day. As a creative process, this actually works well because breaks are essential to my clarity of mind, particularly during revisions, which make up the bulk of the work. Typically, when revising my work I go back over the previous sessions of work before starting a new section. This is an effective way of capturing errors—choppy flow or snags in readability. In this manner, it’s possible to produce book length works without bailing on everyday life.

Other than Notes, one of my favourite apps, I work in Scrivener (v3.4). Scrivener allows me to pull a project apart, so the pieces are laid out like a plastic model kit. I am not one of those magical writers that can hold it all in my head so I need a trusted repository. For this reason Scrivener is well suited to the incremental approach. It’s much easier to face a single chapter, with a synopsis and notes on the same screen, than a Word document with its crushing column of 100K words. I have tried many other writing apps, but I keep returning to Scrivener.


We lost David Lynch this week. His death could not have come at a worse time. But it was the times that took him. I read this morning that he died from complications resulting from being moved due to the LA fires. Poignant news given that fire was such a critical aspect of his vision.

I never met David Lynch, though it was not for lack of trying: Thank you for sending this very thoughtful request. Unfortunately, Mr. Lynch would like to politely decline participation in this project. However, he wishes you the best of luck, and thanks you for thinking of him. Thanks for understanding. I would wager he never saw my proposal, but it’s fun to day-dream about the what if. Lynch’s daydreams gave me, and so many others, touchstones on the journey of creative expression. His aesthetic spoke to me from the first. I grew up in a heavily industrialized area and the sounds and visuals of Eraserhead felt immediately familiar. The Elephant Man was profound, and even Dune, which he later distanced himself from, had a powerful effect on my developing artistic sensibilities. I can think of no other artist, except maybe the Brothers Quay, that so excited and gave me hope. Lynch’s view on creativity was, and remains, refreshing and liberating.

  • Richard

Thru the darkness
of Future Past
the magician longs to see
once chants out
between two worlds
Fire—walk with me.

David Lynch

Veniss Underground

Veniss Underground by Jeff VanderMeer, McClelland & Stewart, 2023. Cover art and design by Tyler Comrie.

I took advantage of the recent reissue of Jeff VanderMeer’s Veniss Underground (originally published in 2003) to fill in a lamentable gap in my reading. What worked best for me in this novel were the creatures VanderMeer conjures—segmented worms turning into flying maps, ray-like creatures in a subterranean sea and the unforgettable Gollux.

In the afterword, there’s a writing fragment, which illuminates the novel, and a great background story about York Minster providing the inspiration for the writing process. These insights were unexpected and fascinating.

I recommended this book if you like phantasmagorical imagery and dark humour.

Bewilderment

Bewilderment by Richard Powers. Cards from Sibley Backyard Birding Flashcards David Sibley

I finished Bewilderment at the end of October. There is much to like here, the retelling of Flowers for Algernon, the invented planets shared by the father and son at bedtime, the barely concealed references to real public personalities, all worked into a compelling and moving narrative. What I enjoyed most about this book though was the character of the mother, powerfully present in her absence. Her personality sometimes felt like one of the imaginary planets described by the narrator, pieced together from memories and the perceptions of others, particularly her son, the way one might ascertain the composition of a distant celestial object through the scattering of light.

I started reading Powers back in the early 1990s with The Gold Bug Variations on a transatlantic flight to England. Since then, I’ve read him periodically and long the way I bought most of his novels faithfully on publication. Reading Bewilderment made me want to go back and fill the gaps.

Tailor of Echoes Cover Reveal

I’ve been away from Amnesiac’s Library for quite some time now. It was a very busy summer and fall, but now that the weather is cooling down it is the perfect time to jump back in and tell you about the books I’ve been enjoying.

But first, I want to show you the cover of my new novel Tailor of Echoes. The book will be published by PS Publications in December 2021. In addition to the cover art, I also created 10 illustrations for the interior. The book is now available for preorder on the PS Publication’s site.

Tailor of Echoes is available in a hardcover edition and a signed and numbered edition of 100!

The ancient City of Steps is transforming. Alleys and staircases appear where none previously existed. A tree is discovered at the bottom of a canal. In his search for the cause, a young, visionary architect, Adrian Peak, falls afoul of a secret society known as the Curators. The Curators task Adrian with finding a lost document called the Oneiric Chart in their vast sealed library. The chart is the key that opens a door to a shadow city in another, eerily familiar world. Lannikin Flower, the Curator’s shadowy servant, has deeply personal interest in Adrian’s failure.

Here is a little peek at one of the interior illustrations in for Tailor of Echoes when it was in progress this summer.

Inklings

The last drops of the thundershower had hardly ceased falling when the Pedestrian stuffed his map into his pocket, settled his pack more comfortably on his tired shoulders, and stepped out from the shelter of a large chestnut tree into the middle of the road.

Out of the Silent Planet, C.S. Lewis

On a certain day in June, 19—, a young man was making his way on foot northward from the great City to a town or place called Edgewood, that he had been told of but never visited. His name was Smoky Barnable, and he was going to Edgewood to get married; the fact that he walked and didn’t ride was one of the conditions placed on his coming there at all.

Little, Big, John Crowley

I began this post to comment on my love of the Bard Books/ Avon imprint. These books, once ubiquitous, are now are seen most frequently in used book shops. Charles Williams made me think of C. S. Lewis, of course, and the opening paragraph of Out of the Silent Planet made me think of the opening of Little, Big, and this is how works of literature speak together through us. It’s also why I will never thin out my library. There is no greater joy than following a trail of breadcrumbs through your collection of books.

For fun, here is a piece of art I did back in 2003, inspired by John Crowley’s Little, Big.

Lilac from Little, Big, by John Crowley

League of Extraordinary Hoarders

The League of Extraordinary Gentlemen

I have a terrible vice—book hoarding. I buy books, and then due to over burdened bookshelves in my living space, store them in the dreaded plastic bin (okay dozen plastic bins) in my basement.

Occasionally, I’ll go down there, brave the spiders, sow bugs and spent Christmas decorations to search for something that occurred to me. Usually, I have no luck finding what I’m looking for and come up with several things I wasn’t. Such is the case with The League of Extraordinary Gentlemen graphic novel.

What is extraordinary is that I haven’t read it yet. It is, as they say, up my alley. The art is amazing, the period is dear to my heart and it looks a hell of a lot less intimidating the Moore’s Jerusalem, which also mocks me from the murky depths of a Home Depot storage bin.

I’ll let you know how I make out.

Blue Eyes

Frank Herbert. “Dune.” Ace Trade Paperback Edition, Ace, 2005, 687 Pages.

I finished re-reading Dune recently. When I first read it the first time, I was a teenager. Setting out now, I realized that most of what I thought I remembered came not from the book but the film directed by David Lynch—no monstrous Guild Navigator in a Baroque fishtank, or festering Baron Harkonnen here. Some great scenes in this one, and the story moves at a good pace, if a bit abruptly in places. I love this retro cover designed and illustrated by Jim Tierney.

Quincunx

But now, when I tried to see the whole affair from the point of view of the self interest of each of the parties involved, the anomaly came to me suddenly.

The Quincunx, Charles Palliser

I spent most of the Christmas break reading The Quincunx, which somehow I’d managed to put off since it was recommended to me sometime in the 1980s. At 781 pages, it it the longest novel I’ve read in a while. It also weighs a ton. I think it left a permanent groove in my chest. It’s dense, immersive and in places harrowing. For this image, I paired it with Philip Davies’ Lost London, 1870-1945, which is filled with beautiful archival images of London. Both books are highly recommended.